Alamo Drafthouse has made significant adjustments to its upper management team, marking a dynamic shift aimed at bolstering its operational strategy and digital experiences. Two key promotions have emerged from within, as Dana Pearson ascends to Chief Financial Officer and Vice President of Product & Digital, while Alex Shullman takes on the role of Chief
Box Office
The enchanting glow of Broadway continues to illuminate the theatrical landscape, even as tangled controversies ripple through its productions. The revival of *Sunset Boulevard*, a musical steeped in fame and despair, remains a formidable presence on the Great White Way, even amidst recent backlash stemming from its lead star, Nicole Scherzinger. A controversial social media
This past weekend, Paddington in Peru made a resounding mark on UK and Ireland audiences, emerging as the top British-produced film opening of 2023. With a staggering box office debut of £9.65 million ($12.4 million), it not only claimed the year’s largest opening for a local production, but it also outran its predecessors, Paddington (2014)
The recent foreclosure auction involving Charles Cohen’s properties has thrown a spotlight on the turbulent state of the arthouse cinema sector, a niche that often struggles under the weight of financial challenges, particularly in the wake of unprecedented global events. With creditors like Fortress Investment Group actively seeking to recover debts through such auctions, the
As independent films continue to carve out significant spaces in a competitive market, the upcoming weekend will witness a significant expansion of several noteworthy titles. From critically acclaimed films making their way into wider releases to the emergence of promising new narratives, the indie cinema landscape is buzzing with diversity and creativity. Below, we explore
As the film industry continues to recover from pandemic-related uncertainties, studios are making calculated decisions to fill their release schedules with well-timed offerings. Recently, Warner Bros. seized the opportunity created by Lionsgate’s decision to delay the release of its Michael Jackson biopic, resulting in a strategic reshuffling of its own calendar. The studio has shifted
As the cinematic landscape evolves, the box office becomes a battleground for major releases, with studios anticipating audience reactions and vying for top positions. In this competitive environment, Sony’s *Venom: The Last Dance* enters its third weekend with uncertain prospects, projected to earn approximately $12 million. However, the real intrigue lies with A24’s horror flick
In the competitive world of Broadway, the musical adaptation of “Death Becomes Her” appears to have made a resounding entrance. Debuting at the Lunt-Fontanne Theatre, this fresh take on the beloved 1992 comedy fantasy has captivated audiences, raking in an impressive gross of $1,073,018 during its initial previews. Filling 98% of the venue’s seats, the
Robert Zemeckis is a name synonymous with inventive cinematic techniques and storytelling creativity. Known for groundbreaking films such as *Who Framed Roger Rabbit?*, *Forrest Gump*, and *The Polar Express*, Zemeckis has constantly sought to blend technology with narrative in compelling ways. However, with his latest endeavor—*Here*, a family drama that reunites him with Tom Hanks,
Halloween is not merely a day for trick-or-treating or venturing out in elaborate costumes; it has become a significant date on the cinematic calendar. Traditional Halloween festivities often take precedence, leading to a tendency for cinemas to see less foot traffic. However, this year, audiences returned to theaters in droves, resulting in an impressive 46%